I've been reading Hillman's
A Terrible Love of War, recommended by the sparkly brilliant
Bizzarro. I can't thank enough for turning me onto this book. It is an awesomely captivating and eloquently written treatment of a difficult subject. I've been -- not sure if "savoring" is the right word, it might be -- but I've had to keep pausing, putting it down and staring at nothing while I try to process everything. Much,
much more about this one later.
Meantime, something (and I can no longer remember what exactly, misc war-related stat search probably) prompted me to tromp about internet looking up stuff about Bosnia. Came across this I have to log.
Between 1990 and 1995, Chuck Sudetic was a journalist for the
New York Times, covering the collapse of Yugoslavia and the war in Bosnia, author of
Blood and Vengeance: One Family's Story of the War in Bosnia. According to
this NYT article, the book "follows several generations of the Celik family, Muslims who lived alongside Serbs in a mountain village 13 miles south of Srebrenica. Through their lives and deaths and those of their neighbors, we learn how the war developed around them and where it led."
The 1995 Srebrenica Massacre was one of (if not most) bloodiest slaughters during the Balkans conflict, thousands of Bosnian Muslim men rounded up and executed.
Following is excerpt from Sudetic's book. Only one of
many snippets I devoured. This is amazing. I am utterly hooked, must have, must read.
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There is a method to presenting the reality of war in Times style, a restrictive method but a perfectly valid one just the same. It focuses mainly on institutions and political leaders and their duties and decisions, while leaving the common folk to exemplify trends, to serve as types: a fallen soldier, a screaming mother, a dead baby—literal symbols....
This method is described by various terms: detachment, disinterestedness, dispassion, distancing, and others with negative prefixes engineered to obliterate any relationship between observer and observed. When I went to Bosnia to work, I used to imagine I had entered a great grassland teeming with life. "I build a tower hundreds of feet high," I told one of my friends. "I climb it every morning and observe the wildlife devouring one another and struggling to survive down below. And from that distance, I write about what I see, send my story, have something to eat, and go to sleep."
I once walked through a town littered with the purple-and-yellow bodies of men and women and a few children, some shot to death, some with their heads torn off, and I felt nothing; I strolled around with a photographer, scratched notes, and lifted sheets covering the bodies of dead men to see if they had been castrated; I picked up a white flag from the ground near the twisted bodies of half a dozen men in civilian clothes who had been shot next to a wall, and then I carried the flag home and hung it above my desk.
I once saw soldiers unload babies crushed to death in the back of a truck and immediately ran off to interview their mothers. I accidentally killed an eighteen-year-old man who raced in front of my car on a bike; his head was smashed; I held the door when they loaded him into the backseat of the automobile that carried him to the emergency room of Sarajevo's main hospital. I expressed my condolences to his father; then I got a tow back to my hotel, went to my room, and sent that day's story to New York.
My observation tower had begun to wobble by then...
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(You can read chapter 1
HERE)